From the GATW Archives: Fantastic Fest 2010 Review: Quentin Dupieux’s RUBBER

Editor’s note: this review was originally published on October 3, 2010 as Fantastic Fest review. RUBBER is now available on VOD and iTunes.

Rating: 5/5

Writer/DirectorQuentin Dupieux
Cast: Rubber Tire, James Parks

In Stephen Spielberg’s E.T., why is the alien brown?  No reason.  In LOVE STORY, why does the man and woman fall in love?  No reason.  In JFK, why is the president assassinated by a complete stranger?  No reason.  I could go on.

This is the first line of dialogue spoken in Quentin Dupieux's RUBBER, which sets the tone for the next 78 hilarious minutes of your life. I still can't fathom having the time of my life watching a feature length film about a killer tire, but that happened just days ago at this year's Fantastic Fest. Quentin Dupieux's second killer feature showcases some of the smartest cinema about the dumbest people I've seen in a very long time.

The film opens with a man holding several pairs of binoculars at his side, looking at a row of scattered chairs down a road. A car heads towards him, making sure to hit every chair in its path, and our narrator, who’s also a deputy, gets out of the trunk and spills out the above quote. The binoculars are for a small group of people who are here to watch the exact same thing we are, the killer tire. A film within a film. Subplots to keep us focused. I really shouldn’t give anything else away because there’s just too much fun and I don’t want to spoil it.

This marks the second feature from Quentin Dupieux. All you electronic heads out there know Dupieux as Mr. Oizo, who frequently collaborates with Uffie and Justice, who worked on RUBBER’s soundtrack. Dupieux pays attention to every little detail that might go unnoticed dealing with a tire that kills. When our tire, whose name is Roger, first gets up, he has trouble staying on his, pardon me, rubber. It’s kind of like he’s taking his first roll in life. He swerves around, falls over, and gets back up. When he encounters his first victim - a soda bottle - he discovers that rolling over it won’t destroy it. No matter hard he tries, sitting on top of it won’t do anything. This is frustrating for Roger. And this is when his telepathic powers are first discovered. The method the tire uses looks very real; he shakes uncontrollably and a loud sonic boom happens and pop goes the weasel. Or bird. Or rabbit. Or human head. This tire wants to blow up everything.

A killer tire should be our central interest, but it’s the narrator, Deputy Gilber (James Parks), who steals the the show. Gilber is an idiot and clever all at the same time. It’s no surprise he can act as a disorganized man of the law - he’s played one before along side his father, Michael Parks, in KILL BILL and the DEATH PROOF. At the beginning of RUBBER, he tells us, the audience, that this is all a movie. Then, during the middle of the movie, he tells the characters in the film that they are in a movie, but nobody wants to believe him. Twilight Zone, baby. Our characters are confused and so is Gilber. It’s layers of laughing as he tries to convince them they’re only in a movie.

RUBBER is a complete riot and I do hope you fist pump as I did when you see the film.

P.S. We were given fried chicken and official “RUBBER” condoms during the screening. Fantastic Fest knows how to party.

From the GATW Archives: Comic-Con Video Interview: Jesse Eisenberg (ZOMBIELAND)

I must say Jesse Eisenberg is a sweetheart. He’s also a very shy guy, which is very easy to maneuver around with the many gentlemanly traits that he carries. You tell the guy he looks nice, and he’ll reply sincerely with something polite like “thank you, that’s very nice of you to say.” If I ever met his parents, I would let them know they did a fine job raising him.

Now on to the goods. I caught up with Jesse here at Comic-Con to chat about his upcoming uber-cool zombie flick, ZOMBIELAND. They just premiered the new trailer for the film here and it is, without a doubt, going to be one of the best zombie flicks ever made. You miss this film this year and you’ll probably lose a lot of friends. And family.

Check out the interview as we briefly talk about the perfect zombie kill and the weirdest profession to have as a zombie. And please let us know what you think!

From the GATW Archives: A Whale of a Time: Saying goodbye to GordonandtheWhale.com

I remember first seeing Jamie Kennedy in SCREAM and thinking he was the coolest dude on the planet. Every line he had in the film I had burned into my brain, and I would reenact his scenes in front of friends over, and over, and over, and over. Never in my life did I think I would be sitting in front of him 13 years later discussing film and things like that.

This weekend at Comic-Con I caught up with Jamie - we talked about his documentary HECKLER (which has challenged my thinking when reviewing films), his new Nickelodeon show FANBOY AND CHUM CHUM, the weirdest thing he’s signed at Comic-Con, and his stint on GHOST WHISPERER.

Check it out and let me know what you think!

From the GATW Archives: Comic-Con Red Carpet: DISTRICT-9 (with Neill Blomkamp, Sharlto Copley, and PETER JACKSON)

This past weekend at Comic-Con, I spoke with the three faces of DISTRICT 9 (which received a standing ovation after the screening): Neill Blomkamp (co-writer/director), Sharlto Copley (the star of the film who loved the way I shot the interview!), and Peter Jackson (producer/extreme badass who also was taken aback on how I shot the red carpet). For the first two fine gents, I stuck to questions about DISTRICT 9, but when it came time to speak with Jackson, I stayed away from D9 stuff (I’m confident he jumped on as a producer because the script’s incredible and Neill has a brilliant vision. Plus, Peter has a great eye for new talent) and asked the two questions I thought a lot of people would want to know.

After interviewing Peter Jackson, even for less than two minutes, I can honestly say that the anxiety in my body that I feel moments before speaking to someone famous has now dwindled into a rose that hasn’t been watered in over two weeks. Please enjoy these three interviews!

From the GATW Archives: Comic-Con Video Interview: Chan-wook Park (co-writer/director, THIRST)

From what I understand, this year’s Comic-Con was Chan-wook Park’s first stop to the states. If that’s true, he sure came to visit at the most interesting time and to the most interesting event. With him, he brought a translator, a pen, and a pad.

I sat with the two during the festival to talk about the people attending Comic-Con and his new film, THIRST. I really wanted to ask him his thoughts on the Hollywood remake of his masterpiece mind-fuck OLDBOY, but I’m sure his thoughts on it are the same yours and mine, so I didn’t. Please watch, as he has a very, very interesting and humorous answer on how the idea of THIRST was born.

From the GATW Archives: Video Interview: Rose Byrne and Hugh Dancy (ADAM)

You may have seen this posted on the site a few days ago. We just switched over to a new, faster server and it seems that we lost some very important posts - this being one of them.

With that being said, here again is my interview with the super pretty Rose Byrne and the very handsome Hugh Dancy. It was so nice talking with them about ADAM - you can tell that their responses to my questions had a lot of heart and honesty. I’m looking forward to the day I get to cross paths with them again. Enjoy!

From the GATW Archives: PAPER HEART Video Interview Part 1: Charlyne Yi and Jake Johnson

Experimenting is a whole lot of fun. It’s also a whole lot of PAPER HEART. So when James and I were given the chance to interview the two stars of the film, Charlyne Yi and Jake Johnson, we knew the only way to go was to try something we’ve never done before - have them film us as we filmed them - and pray that it worked in our favor. It did.

The interview is about ten minutes long, but I promise you, it’s worth the watch. This is, without a doubt, one of the most delightful conversations I’ve ever had (and shared) with someone who makes a living in front of a camera. Charlyne and Jake made the unplanned outcomes - slapping one another, changing accents mid-interview, and putting the camera right in my ear - incredibly entertaining. If you don’t enjoy this interview, your heart’s not made of muscle, or paper - it’s made of stone!

Watch this and then go see PAPER HEART. Or go see PAPER HEART and then watch this. Just make sure you do both! Enjoy! And look out next week for part 2, which features a planned, but failed, attempt at welcoming them to the great state of Texas!

From the GATW Archives: Video Interview: BRIGHT STAR actor Paul Schneider

Sometimes, it can be rough interviewing an actor. I try to stay away from “yes or no” questions, putting them in the spotlight where elaboration on their answer is a bonus for you and me. But sometimes, and it does happen, one can have five really great questions that get answered in the matter of 60 seconds.

Not with Paul Schneider, who stopped by Dallas while on tour for his new movie, BRIGHT STAR (opens in theaters today!). I spoke with Paul for what I thought would be a very brief, but turned into a really fun, and somewhat strange interview. Check out the video interview after the jump, as we talk about his role in BRIGHT STAR, his mom’s support for his comedy career, and yes, Drunk History!

CLICK HERE TO WATCH THE INTERVIEW!

From the GATW Archives: Exclusive: GENTLEMEN BRONCOS behind-the-scenes web series video #7

One of the coolest things about going to film festivals is getting to see movies before they open. The perfect metaphor for this situation would involve me dying (gently, in my sleep, of course), then returning to earth, reincarnated as a chubby eight year old. My loving and generous mother then lets me loose for days, alone, in a candy store. The candy-loving movie geek in me firmly approves this metaphor.

That metaphor leads me to this: this year’s Fantastic Fest kicks off this Thursday with the premiere of GENTLEMEN BRONCOS. Oh yes, and stars Jemaine Clement, Sam Rockwell, Mike White, and filmmakers Jared and Jerusha Hess will be in attendance. My chubby eight year old reincarnated self just found a bowl of everlasting gummy bears. Do you follow me? I couldn’t be more excited about this film.

But the gummy bears just keep flowing, as we’ve teamed up with Fox Searchlight to bring you an exclusive first look at the seventh behind-the-scenes web series video of GENTLEMEN BRONCOS. This clip, my favorite of the series so far, gives us a peek at Sam Rockwell (in brilliant costume get up) hanging out on set, trying to perfect his ray gun slinging.

Check out the fun video after the jump! And then head on over to GentlemenBroncos.Comto see the previous 6 videos. GENTLEMEN BRONCOS opens in theaters October 30th!

Official synopsis:
Benjamin, home-schooled by his eccentric mother, is a loveable loner whose passion for writing leads him on an offbeat and hilarious journey as his story gets ripped off by the legendary novelist Ronald Chevalier and then is adapted into a disastrous movie by the small town’s most prolific homespun filmmaker.


From the GATW Archives: Theatrical Review: WHERE THE WILD THINGS ARE

Rating: 9/10

Screenplay: Spike Jonze, Dave Eggers
Book: Maurice Sendak
Director: Spike Jonze
Cast: Max Records, Wild Things, Catherine Keener, Mark Ruffalo, Pepita Emmerichs
Voices: James Gandolfini, Paul Dano, Catherine O’Hara, Forest Whitaker, Lauren Ambrose, Chris Cooper, Michael Berry Jr.
Studio: Warner Bros.

Growing up, Maurice Sendak’s children’s book “Where The Wild Things Are” took a very special place in my big heart (and when I grew up, my right arm). The idea of a rebellious boy entering a foreign land on a sailboat and reigning as king over a handful of fierce monsters was beautiful. But a little panic ran through my mind when I found out the book was to be adapted into a feature length film. The only thought that played like a broken record was, “how the hell are they going to adapt a book with less than 200 words into a 90 minute feature?” My mind came to a Moby Dick-sized ease when the guy who made a heartbreaking movie about a flower was announced to direct the film. We know him as Spike Jonze, and his WTWTA adaption was simply wonderful.

Jonze stayed faithful to Maurice, creating a little spin on things to give length to the story. In our opening scene, (which also appears in the book) we see Max chasing around the family dog - fork in hand - giving the audience the heads up that Max is a bit, um, troubled. Max is a dreamer, as he builds tunnels in big piles of snow and plays (alone) inside them. His dreams come to a crumbling halt when he picks a snowball fight with his big sister’s (Pepita Emmerichs) friends and they end up destroying his freshly-built igloo. Max’s only friend is his mother, played by the uber-cool Catherine Keener. She asks Max to tell her stories, then types them word for word - with a smile - exactly how he recites them.

Things end up going sour for Max and Mom’s friendship when he discovers she has another man in her life, “Boyfriend,” in a cameo by Mark Ruffalo. Like in the book, Max has a blowout with his mom, but instead of being sent to his room without dinner and creating a forest that he sailboats to in his head, Max runs away and borrows a tiny boat from a dock, then sets out on a terrifying and dangerous journey to a land of Wild Things. When he arrives, he meets giant and surprisingly friendly talking monsters: Carol, Alexander, Judith, Ira, The Bull, Douglas, and KW (voiced by James Gandolfini, Paul Dano, Catherine O’Hara, Forest Whitaker, Michael Berry Jr., Chris Cooper, and Lauren Ambrose, respectively).

Even the Wild Things get the blues, as things aren’t going well for any of his newfound friends. Our main monster, Carol, isn’t at all pleased that his group isn’t as tightly knit as they once were (think back to Max and Mom’s recent debacle), and Alexander is tired of being the center of jokes. It’s very obvious that the problems the monsters are dealing with are the same feelings Max is suffering in his head. They threaten to eat Max, so Max tells a little complex lie, resulting in the Wild Things crowning him King, trusting he’ll end their loneliness and create a great place of happiness.

One of the greatest strengths of the movie - which is the most important one - is that of Max, played by Max Records. Records not only fits perfectly in the dirty wolf costume, but also sucks us in with his emotions. When Records’ Max is mad, I wanna stomp my feet with him, when he’s laughing, I found myself chuckling back, and when he’s crying, well, let’s just say I needed a tissue.

Of all of Records’ scenes, the one that stands out the most (for me, at least) is when Max suggests a war between the Wild Things. Max is fearless against the opposing team - the bad guys, a King’s never a bad guy! - even with his tiny clumps of dirt compared to their large mounds of muddy death. It was nice to watch a scene that brought me back to my 9 year old self, when play fights seemed so real, and I’d lose a friend if he claimed to have shot me first.

The most important part of the film was how the Wild Things looked. In a time when you can CGI anything, Spike chose to use real people in costumes, which were created by The Jim Henson Company (the same people behind the Muppets characters). A little CGI is thrown in, however, to give the Wild Things more believable facial expressions, which is 100% okay by me. The mix ran very smoothly.

The thought of the film failing did linger in the back of my mind, even with Spike’s wonderful talents controlling WHERE THE WILD THINGS ARE. Stretching this story into a 90 minute film could have turned into a complete disaster, but WTWTA never deserted my interest. About an hour into the film, things do slow down a bit - which could lose the attention of children - and a lot of people that are expecting more than what Maurice’s book had to offer may leave disappointed. After all, this is just a simple story about a child who just wants to play.

From the GATW Archives: Exclusive: GENTLEMEN BRONCOS behind-the-scenes web series video #12

We’ve re-teamed with the fine folks over at Fox Searchlight to bring you another funny GENTLEMEN BRONCOS behind-the-scenes video. Since BRONCOS opens limited this Friday (NY and LA), and we’re big on videos, we couldn’t think of a better way to celebrate than to post this clip!

This clip involves Jennifer Coolidge (Stifler’s experimental mother in AMERICAN PIE), Mike White, and their discussion on his white teeth. Coolidge even makes a Jessica Simpson reference, it’s pretty hilarious. In the film, White plays Dusty, the strange Big Brother figure to Judith’s (Coolidge) lonely son, Benjamin (Michael Angarano), who attends a writing seminar only to find out his story has been stolen by his hero, famous author Ron Chevalier (Jemaine Clement).

GENTLEMEN BRONCOS opens everywhere else throughout the month of November. Check local listings for opening dates in your city.

Check out the clip after the jump! Also, our video interviews with Mike White, Sam Rockwell, Michael Angarano, Jemaine Clement, and Jared and Jerusha Hess will be posted tonight, so check them out when they’re live!

From the GATW Archives: GordonandtheWhale.com store is now open for business!

Hey, friends! A lot of people have been asking when shirts, buttons, hoodies, and other apparel and accessories for our site would be available, and here they are! Sorry it’s taken so long to get this up and running. We wanted to make sure we found the right place to print quality product on quality apparel.

We’re still updating this store daily, and will be for awhile, so please keep checking back. If you don’t see something in the store that really interests you, please email me (chase@gordonandthewhale.com), and I’ll try to get it up there ASAP.

Also, you can change the type of apparel you want for a certain design. Whenever you pick the design you want, on the right you’ll see “Choose your style and color.” Click “See all…” right next to it, and you’ll have an extreme amount of variations to choose from!

Have fun and please let us know if you have any questions! Check out the store HERE!

From the GATW Archives: EXCLUSIVE VIDEO: Broken Lizard supports GordonandtheWhale.com!

You may remember the Broken Lizard crew from their films SUPER TROOPERS, CLUB DREAD, and BEERFEST. Well, the boys are coming back next month with their new film, THE SLAMMIN’ SALMON. The film stars the Broken Lizard crew (Jay Chandrasekhar, Kevin Heffernan, Steve Lemme, Paul Soter, and Erik Stolhanske), Michael Clarke Duncan, Cobie Smulders, April Bowlby, Sendhil Ramamurthy, Olivia Munn, Will Forte, Lance Henriksen, Vivica A. Fox, and Morgan Fairchild, and will mark Heffernan’s directorial debut. He wrote and starred in the previous Lizard films.

To celebrate the upcoming release of THE SLAMMIN’ SALMON, Heffernan and Steve Lemme (“Mac” - SUPER TROOPERS) sent us over a hilarious GordonandtheWhale.com plug for our wonderful readers to enjoy. Believe what these gentleman say, they mean business!

Check out the video after the jump! If you liked it, let us know! If you hated it, watch it again and like it! JK, but we do hope you like it. THE SLAMMIN’ SALMON slams into theaters December 11th!

From the GATW Archives: SLAMMIN’ SALMON party with GATW and Broken Lizard

What do you get when you combine some of GATW, some of Broken Lizard, and all of you? ONE KICK-ASS PARTY!

Here’s the lowdown on what’s going to happen:

In attendance:
Jay Chandrasekhar
Paul Soter
Erik Stolhanske

Broken Lizard’s THE SLAMMIN’ SALMON opens Friday, December 11th, and we were asked - which we happily obliged - to throw a killer party for the boys. To make this happen, we need every one of you to clear your evening schedule on Friday, December 11th. As you can see from the flyer above (click to see a high resolution version), we’ve got a lot in store for you. Just so you know we’re ready to get the party started as 6 PM sharp, the first 25 people to show up will get a poster of THE SLAMMIN’ SALMON, signed by Broken Lizard’s Jay Chandrasekhar, Paul Soter, and Erik Stolhanske.

At the party, we’re going to be hosting an oyster eating contest, which will come with an awesome prize for the winner. The dudes will be commentating and MCing during that contest. So pretty much, you’re going to be laughing your ass off as you’re stuffing your face. Bring your cameras and DVDs for a chance to get photos with the dudes and autographs. Your lover will be super-impressed!

If you are interested in competing in the oyster eating contest, fill out the form after the jump. Tell us why we should pick you. Make sure you’ll be able to make it - if you don’t show up, Michael Clarke Duncan, who plays “Cleon ‘Slammin’ Salmon” in the film, will hunt you down and feed you to the fish!

We’ll announce and contact the lucky contestants next Thursday. Let us know if you need any additional details @ contact@gordonandthewhale.com. See you next Friday!

From the GATW Archives: Video Interview: Christian McKay and director Richard Linklater (ME AND ORSON WELLES)

It’s not every day you get to sit down and chat with someone who portrays the notorious and iconic Orson Welles in a movie. So what do you do when that happens? You just do it - one second at a time.

This happened to me a few weeks ago when I spoke with Christian McKay (who plays Orson Welles in the film ME AND ORSON WELLES) and Richard Linklater - all around nice guy and Texas resident who directed the film. I can tell you firsthand, it was very intimidating interviewing McKay (pronounces “muh-kye”). This being his first film, one probably wouldn’t think so. But with an appearance uncanny to Welles, the first thing that crossed my mind was, “If McKay’s behavior resembles that of Orson’s, I’m fucked.” It didn’t and I wasn’t.

I got through the interview with very little “ums” and pauses (fshew), and after looking over this video, I really think it went really well(es). Check out the after the jump, as we talk about the inspirations and research Christian did to prepare for such an intimidating role, and Linklater’s thought process when choosing which film to work on.

Oh, and I almost forgot, Christian does a marvelous impersonation of Alec Guinness. If STAR WARS gets a remake in 20 years, all Hollywood needs to do is watch this video to find their Obi-Wan.

From the GATW Archives: GATW’s top 10 of 2009

Well, 2009 is gone and 2010 is now here. By now, you’ve probably seen an uncountable amount of “Top 10 Movies of 2009” lists. After a few long weeks of compiling our lists, here are all of GATW’s staff member picks of 2009.

Some people are going to read these lists and criticize them for having too many blockbusters or “weird films that nobody’s heard of,” but know this: we like what we like, and we hope you enjoy reading about our experiences while watching these films.

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Chase Whale - Editor in Chief

I want to first point out that these 10 films are in no particular order. While I’m supposed to sit here and count you down to my number one, I really just can’t classify any as being “the one.” Each of these have affected me in different ways. Some made me laugh, some made me cry, some made me laugh and cry at how similar and fucked up their lives are to mine, but all wiped life’s problems clean away for 90 minutes or so.

BIG FAN

When a comedian tackles dramatic acting, I’m hooked. Adam Sander did it. Will Ferrell did it. And now Patton Oswalt brings his seriousness to the game. There’s nothing more truer than the line Patton’s Paul courageously delivers to the antagonist in the film, “You don’t have to be so mean.”

UP IN THE AIR

Like many other people, this film touched and moved me. For 120 minutes, I literally forgot I was in a movie theater. When a movie sucks me in like that, I know I’ve just seen something incredible.

FANTASTIC MR. FOX

What a delight MR. FOX was. After 10 minutes in, my heart was captured. What a sly fox you are, Mr. Anderson.

WORLD’S GREATEST DAD

While watching this film, I asked myself, “Should I be laughing at this?” Bobcat put his actors in very awkward and uncomfortable situations, which then made me feel awkward and uncomfortable. And you know what? I loved every second of it.

GOODBYE SOLO

You may notice a theme in my top 10. That theme is loneliness, and for some reason, I’m drawn to it. SOLO’s story is about two strangers - with absolutely nothing in common - who form an unlikely friendship. It reminded me that no matter how many wrongs you’ve done in your previous life, someone will always be there for you.

INGLOURIOUS BASTERDS

I’d probably get scalped if I didn’t add this to my list. Even though it’s now standard to add Tarantino flicks to anyone’s top 10 of whatever list, this was an incredible film. Tarantino’s only one man who can change history and make it look so fly.

ZOMBIELAND

You just can’t have a top 10 list without including a film that’s just over-the-top fun. That film is ZOMBIELAND, and Woody Harrelson is a complete riot in this this.

THE MESSENGER

Heads up Hollywood, Woody Harrelson’s about to take over. Two of his best performances came out of 2009 - this being the second.

BRONSON

Get naked, paint yourself gold, sit in your prison cell, wait for the guards to come in and start swinging. This happens within the first 15 minutes of BRONSON. I never knew beating up people could look so artistic and hip at the same. And then I watched this and all that changed.

DISTRICT 9

There’s just something about a lone man on a mission to save a mistreated alien race that spells out A-W-E-S-O-M-E. That and having some of the best special effects seen in years had something to do with it too.

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Rusty Gordon - Executive Editor

1. DRAG ME TO HELL

Sam Raimi creates plenty of twisted fun with DRAG ME TO HELL. Top-shelf horror madness that will forever make me refer to Sam Raimi as Daddy Raimi, a creepy but true fact of my heart.

2. FANTASTIC MR. FOX

A very charming film from director Wes Anderson that is a clever as some animal that is in the title of this film (hint: it is not a Mr.). A delightful film that should be cherished. Yeah, I’m aware that I’m probably legally not considered a man anymore because I used the words “delightful” and “cherish” in the same sentence. I don’t even care, and I think that it is true love.

3. UP IN THE AIR

Hilarious and shrewdly realistic film that makes a good point, and makes sure we won’t forget it or the film.

4. WORLD’S GREATEST DAD

An intelligent dark comedy that has a lot of heart, and also features a nude scene from Robin Williams. That sounds like the fourth best film of the year to me.

5. THE MESSENGER

Focuses on two men with the task of alerting the next of kin after a soldier dies. The film is always respectful of its subject matter as it earns your tears (and a lot of them).

6. INGLOURIOUS BASTERDS

Classic Tarantino. Hugely entertaining and one of the director’s very best films so far.

7. A SERIOUS MAN

A draining experience that offers little relief through its running time, but plenty to chew on mentally. Exhausting but worth it, like actually trying with women.

8. UP

I still have a soul, so I was moved by Pixar’s latest film that features one of the beautiful sequences (the montage that begins very soon into UP) to be found in any film. A wonderful film that lets you know the hate hasn’t spread all the way through your body yet.

9. PRECIOUS

A film about an obese teenager with an abusive mother who is pregnant with the second baby that has come as a result of her father raping her. Yeah, it gets rough, but it is a moving film about the beauty that can come from pain and refusing to quit.

10. DISTRICT 9

Thoughtful science fiction movie that offers impressive special effects and action mixed with real world insights. The visual effects are the best I have seen since Terminator 2: JUDGMENT DAY.

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James Wallace - Managing Editor

1. (500) DAYS OF SUMMER

It’s the classic “Boy meets girls. Boy falls in love with girl” story, yet in this tale the girl doesn’t fall in love back, creating one of the most realistic, yet whimsical looks at relationships on celluloid to date. SUMMER grabbed me by the heart strings, and not only tugged, but yanked. Just as Tom falls in love with Summer the girl, everyone seemed to fall in love with SUMMER the film in 2009. From its joyful and poignant story to its unconventional methods of storytelling to the fantastic soundtrack and everything in between (that means you, Mr. Cartoon Bluebird), summer
became my favorite season of this year as it gave me SUMMER, my favorite film of the year.

2. DISTRICT 9

TRANSFORMERS 2: REVENGE OF THE FALLEN was released in June and was thought to be one of the most anticipated sci-fi action films of the year. The film cost an estimated $200,000,000 and was found out to be a clunker that transformed into a trash compactor. It would be at this very spot on my “Top 10 Worst Films of the Year” list, if I had one.

Two months later and $170,000,000 less (that’s $30,000,000 in case you don’t have a calculator that transforms equations into answers), we were given one of the most original sci-fi action films to hit since THE
MATRIX. In turn, DISTRICT 9 showed audiences what could be done with a small budget and a big message. And no Megan Fox.

3. MOON

Speaking of doing a lot with a little, the first effort from director Duncan Jones went old school sci-fi on us, evoking elements of 2001, SOLARIS (1972), and other vintage sci-fi greats. For this to be Jones’ first feature, for Sam Rockwell to carry a whole film virtually with no one else on screen but a emoticon-wielding robot and for this film to make use of miniatures and retro-futuristic sets the way it did, I’d say MOON was out of this world!

4. STAR TREK

Leave it to the boy wonder, J.J. Abrams, to make STAR TREK cool again, where a trekkie could hold his head high in a STAR WARS convention. Hell, Abrams may have even converted a few Wars Whores over from a galaxy far, far away to the that place where apparently no man has gone before in a bold-like fashion. That is until this year, when Abrams went there with TREK.

5. INGLOURIOUS BASTERDS

After incessantly talking about the film for years upon years, Tarantino finally gave the world his opus in the form of a bloody, Nazi scalpin’ WWII-era murder extravaganza. Subsequently, we were given Christoph Waltz, one of Brad Pitt’s best performances, a rewrite of history. No to mention months of double-checking every time we typed or wrote the title.

6. UP IN THE AIR

Jason Reitman ensured his place among the next generation of pertinent film makers with his third feature, doing what he does best in mixing perfectly balanced comedy and drama. UP IN THE AIR is a beautiful and somber look at what it is to choose between what you love and love itself, when life presents opportunities and challenges outside of your comfort zone. What audience’s got was a film that soared above many others of its kind, subsequently putting audiences - me included - in the clouds.

7. UP

Pixar proves that they are incapable of making a bad film once again in 2009, as they pushed not only the boundaries of their animation, but the boundaries of emotion within animation. I’ll say this to validate its place on my list…not many scenes this year, animated or not, made me bawl like the first 20 minutes of UP.

8. ZOMBIELAND

Zombie films are all the rage right now, so when a film comes out that takes a bite out of the genre, it gets my attention. Add a fantastic cast and laugh out loud moment after moment, and I’m infected with love for this film. Zombie kill of the week? Zombie rules to live, and not die, by? Climbing zombies? And not to mention one of the greatest celebrity cameos in film history? If ZOMBIELAND was named after the place is came from, it’d be called Unrivaledspectacularamazing Town. Or USA for short.

9. FANTASTIC MR. FOX

What else can be said about this film that has not already been said already? It was cussing great! And yes, it was indeed…well, you know. With his stop-motion feature, and first delve into full-length animation, hip auteur Wes Anderson harkened back to his BOTTLE ROCKET days, applying his signature brand of vintage-style and dry humor to a cast of clever, lovable and well-dressed woodland creatures while turning it up a notch to account for the new genre with less boundaries. This experiment of sorts resulted in something kind of fantastic. There, I said it.

10. THE BROTHERS BLOOM

After making one of my favorite films of the decade with 2005‘s BRICK, director Rian Johnson was back this year with his stylish and clever caper about two torn brothers with a love/hate relationship for each other and their life as con men. The film was dressed to the nines in its timeless script, and packed a big bang with its dry sense of humor and action adventure sequences. As the sibling Blooms, Mark Ruffalo and Adrien Brody gave marvelous performances, not to mention Rachel Weisz’s hilarious portrayal of an eccentric heiress with more hobbies than she had Lamborghinis. And who could forget the show stealer, Rinko Kikuchi, who managed to do so without one single line, in a performance that would make Marcel Marceau laugh out loud. All in all, THE BROTHERS BLOOM wasn’t a con for me at all. It wasn’t even a bunko, a bamboozle or even a flim flam. Just a huge score without any of the risks.

Honorable Mentions (in alphabetical order)
CRAZY HEART, DRAG ME TO HELL, EASIER WITH PRACTICE, FISH STORY, THE HANGOVER, THE HOUSE OF THE DEVIL, HUMPDAY, I LOVE YOU MAN, OBSERVE & REPORT, PRIVATE EYE, SHERLOCK HOLMES, SIN NOMBRE, TRICK R’ TREAT, WATCHMEN, WHERE THE WILD THINGS ARE

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Kate Erbland - West Coast Editor

1. STAR TREK

The surprise of the year? How difficult it is for me to do the Vulcan V-hand. I’m still working on it. My allegiance to Spock must have a physical outlet.

2. FANTASTIC MR. FOX

Fantastic to the point of being superlative, no other film made me feel as charmed and fuzzy as Wes Anderson’s animated gem. I fell in love with the entire film, but I really fell in love with baby Ash Fox.

3. INGLOURIOUS BASTERDS

It was absolutely everything I wanted it to be and so much more – violent and serious and hilarious and unhinged and emotional and rousing, with one of the most creative and pitch-perfect soundtracks of the year. Also of note, my parents’ favorite movie of the year. How cool are they? Cooler than me.

4. UP IN THE AIR

I find it hard to believe that anyone wouldn’t find a character or a plot point to relate to in Jason Reitman’s latest. It made me laugh and it made me cry, and there’s little else I can ask for.

5. BAD LIEUTENANT: PORT OF CALL NEW ORLEANS

A gloriously off-the-rails film, best compared to snorting crack off a break-dancing iguana. Have you never snorted crack off a break-dancing iguana? Good, check out this film instead.

6. BRIGHT STAR

An overlooked and moving meditation on the meaning and machinations of love. Insanely sexy hand-holding, Campion’s best use of light, and a criminally underrated performance by Abbie Cornish. It is a film that will make you want to fall in love, even as you know it couldn’t possibly end well.

7. ZOMBIELAND

This is my ass-kicking comedy entry for the year. The year’s best twist on the classic horror villain (looking at you, NEW MOON). Bizarrely essential.

8. (500) DAYS OF SUMMER

I would have to be without a heart to not include this delicious slice of romantic comedy confection.

9. MOON

In a year chock-a-block with sci-fi outings, MOON was the only film that captured my heart. Easily proved what I’ve been saying for years - “I’d watch Sam Rockwell alone for an hour and a half, with only a robot voiced by Kevin Spacey to keep him company.” How prescient am I?

10. EASIER WITH PRACTICE

Apparently, I spent this year hungry for love stories with substance, rooted in realism. Kyle Patrick Alvarez’s debut film delivers on this wish, with real bite. Brian Geraghty’s nuanced performance is the overlooked work of the year.

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Wilhem Oliva - News Writer

1. DISTRICT 9

When making a top 10 list, the hardest part for me is always the top spot. Once I figure that out, the rest usually falls into place. Well, this year there was no contest. From the second I left the theater after watching DISTRICT 9 I knew it was my number one. Being an avid movie fan it’s easy to become a bit of a snob and cynical about cinema and the industry, but this movie made me forget all that. Literally sitting at the edge of my seat and smiling from ear to ear during the final fight sequence, I felt like a kid again. Spielberg is on record for comparing AVATAR to his experience of watching STAR WARS for the first time, but to me that’s exactly what DISTRICT 9 did, and a hell of a lot better.

2. INGLOURIOUS BASTERDS

I have to admit that I didn’t know what to make of INGLOURIOUS BASTERDS when I first saw it. It’s undeniably Tarantino with its dense dialogue and awesome music, but the director who first sparked my love affair with cinema continues to surprise me. Although I didn’t know what to make of it at first, the movie got stuck in my head like a radio jingle and the more I replayed it, the more I realized it’s just absolutely fantastic.

3. UP IN THE AIR

I think it’s impossible for this movie not to strike a nerve. We all know someone who is going through tough times right now because of the recession and this film spoke to all those fears. What I find most interesting is that the people interviewed towards the end of the movie weren’t so much worried about having lost their jobs, as much as they were worried about having lost their purpose in life. As a recent college graduate, I’m in that state of limbo myself and I can tell you that it’s scary, but UP IN THE AIR made me feel better because it reminded me (as corny and cliche as it sounds) that none of us are alone in this.

4. WHERE THE WILD THINGS ARE

Where DISTRICT 9 reminded me of what it’s like to be a kid again, this film didn’t just remind me, it transported me. I remember being Max, being angry, happy, scared, lonely and safe in the comfort of my imagination. If I ever have kids, I always picture a shelf in their room that I stuff with movies I want them to watch and love. WHERE THE WILD THINGS ARE will be filed in the w’s.

5. FANTASTIC MR. FOX

Let us rejoice for the return of Wes Anderson! Not that he was ever gone. I’ve truly enjoyed everything he’s ever made, but after ROYAL TENENBAUMS it felt like he didn’t have anything new to say. FANTASTIC MR. FOX is on the list because it’s the first time in a while that I felt like he did.

6. STAR TREK

In the battle between Trekkies and Star Wars fans, I fall squarely on the side of George Lucas (despite Jar Jar Binks), but what J.J. Abrams created with his vision of STAR TREK is a movie that satisfies both sides of the fence. For the first time ever I’m actually excited about the possibility of future STAR TREK films.

7. THE PRINCESS AND THE FROG

I’m pretty sure this is my most controversial item on the list, especially since it’s a spot higher than UP, but I have two very good reasons for placing it where I did. First, is a symbolic reason. No, not the whole “first black princess” thing. I think it’s great and all, but what I’m really concerned with is the return of great Disney animation, which John Lasseter has been able to nurture back to life with great music, characters, settings and a creative spark that has been missing from their animation department since the mid-1990s. Second is the environment in which I experienced it. Though the theater was almost empty, with only a few families there, the energy of the kids filled the room. Two little girls even sat at the very front and they would get up to dance and clap during the music sequences. I got the feeling that this was not their first time watching PRINCESS AND THE FROG and it probably won’t be their last.

8. UP

Leave it to Pixar to make the only movie this year that nearly brought me to tears. I’d have to be a cold, cold man to leave this one off my list.

9. ZOMBIELAND

This movie surprised the hell out of me. Although I’d heard from all my friends that it was great, nothing prepared me for the awesomeness that followed. The slow motion, the agile zombies, the Bill Murray cameo…it made for one of the most enjoyable experiences I had in theaters this year.

10. AVATAR

I was an AVATAR fanatic before I actually watched it, but I left the theater severely underwhelmed. The only reason I’ve placed it on the list is for its technical contribution to film. Watching it in IMAX 3D, I was blown away by the effects, which at times didn’t feel like effects at all. I had to remind myself during the jungle scenes that what I was watching was 100% computer animated. Unfortunately, the story didn’t live up to the hype.

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Allison Loring - Soundtrack Critic

1. FANTASTIC MR. FOX

A heart-warming story that had me laughing out loud more than I expected and moved me more than I could have predicted. A feat in stop-motion animation, we are drawn in to this whimsical world that may, in fact, not be too different from our own.

2. STAR TREK

A total ride that was not only visually stunning, but funny, heartfelt and adrenaline-pumping. I felt more in the first 10 minutes of this movie that I did in the majority of films released this past year.

3. IT MIGHT GET LOUD

A rock doc for the ages. The true passion and talent of these musicians vibrated off the screen and reminded me why I do what I do every day, and love every minute of it.

4. UP IN THE AIR

We live in a time of rapid change where the world can seem completely chaotic from one moment to the next. Trying to find control in a set routine or following a predetermined idea of happiness seems to mask the daily struggle of being independent in a world where we all need some sort of a connection.

5. (500) DAYS OF SUMMER

Falling in love is a tricky business as it can be equal parts exhilarating as it is devastating. One day you can feel like dancing through the street and then find yourself with only enough strength to leave the house in a bathrobe. But we get back up, and try again. Because the real scary question is: what happens when we STOP trying?

6. THE SEPTEMBER ISSUE

A perfectionist at heart, I completely identified with Anna Wintour and how she sacrificed so much for her career. Sometimes the loves of our lives are not found in another person and this realization effected me in a way I did not see coming.

7. THE HANGOVER

HILARIOUS. A comedy that I could (and did) watch over and over again and found new things to laugh at each time. My Vegas trips never ended up like this, but I can’t say they didn’t come close. (Yes - one trip involved the finding and ill caring-for of a baby - this happens, LOL).

8. AN EDUCATION

Taboo subject matter, but handled with beauty and thought. It’s hard not to fall for Peter Sarsgaard in this, even when you know you shouldn’t.

9. PIRATE RADIO

For me, this was a feel-good movie, through and through. An exaggerated vision of the real movement, I could not help wanting to set sail along side the DJs of Pirate Radio and lose myself in the music and rebellion.

10. ADVENTURELAND

There are only a handful of years where summer holds the promise of opportunity and adventure. And it is in those unexpected moments we learn about ourselves and who we are growing up to be.

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John Mulhern - News Writer

1. INGLOURIOUS BASTERDS

Tarantino did it again, he made a movie that was an instant classic and will certainly not be forgotten. This movie felt more like PULP FICTION (my favorite movie of all time) than anything he has done since, and that certainly works in its advantage. Every outstanding performance, the fantastic writing, and superb direction place this movie easily as the best film of the year.

2. FUNNY PEOPLE

Although FUNNY PEOPLE wasn’t as big of a hit as it was expected to be and reviews were generally mixed, I adore this movie. Not only did Judd Apatow make an extremely funny dramatic film, he made a very real look into the life of stand-up comedians. Seth Rogen and Adam Sandler are so great in this movie, and I believe Sandler deserves an Oscar nomination.

3. AVATAR

AVATAR is one of the greatest achievements in film history. The special effects are unparalleled, and the technological advancements guarantee this film the best visual effects Oscar. The 3D is one of the coolest things I’ve ever seen and I can’t wait to watch this movie repeatedly in beautiful Blu-ray.

4. STAR TREK

Even though this movie wasn’t the best movie of 2009, in my opinion it has the most replay value of all that came out. The casting could not have been any more perfect, and Chris Pine as Kirk was probably one of my favorite performances. J. J. Abrams is a genius, and this is a great reboot of the franchise while keeping true to the original.

5. UP IN THE AIR

Jason Reitman has done it again, I’m wondering if the guy can do wrong. George Clooney once again shows off his acting chops which will probably get him nominated for an Oscar. This is going to be a Best Picture contender, and I would not be very surprised if it won.

6. DISTRICT 9

Before I saw DISTRICT 9 I knew nothing about it, just that everyone thought it was really awesome. Upon first viewing I found the first half hour boring, but on my second viewing that was one of my favorite parts. The cinematography was some of the best I had seen, and put Neill Blomkamp very prominently on my radar.

7. UP

Although this is not one of Pixar’s most fun movies, I think it is one of their most creative. The first half hour is so beautiful and tragic and to me is one of the best Pixar moments. The characters were so fantastic and creative and I love the universe they invented.

8. PARANORMAL ACTIVITY

PARANORMAL ACTIVITY made huge buzz for not only being an extremely low budget movie that was exceptionally high quality, but also because it became the most profitable movie ever made. This movie felt so real and the characters felt so authentic and true. Not to mention the fact that my mom (a horror fanatic) gave it her seal of approval.

9. ADVENTURELAND

Greg Mottola (director of SUPERBAD) made a little movie called ADVENTURELAND, which was nothing like the trailers made it out to be. What was sold as a silly SUPERBAD-like comedy, was actually a dramatic but funny story of a crappy summer job that changes your life forever. If this one went under your radar (as it did most people’s) you need to see it.

10. FIRED UP!

This movie looked like a generic and awful teen sex comedy when the trailer came out. Luckily, I was bored enough to rent the unrated cut on Blu-ray because it was beginning to end hysterical. Clever writing, fun characters, and hot cheerleaders made this movie totally great.

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Ronnie Miller - News Writer

Constructing this list was excruciating for me. It’s hard for me to believe that I am qualified to pick the best movies of the year when, as you can see below, there are so many that I wish to have seen that I haven’t yet. I believe strongly that this list would be totally different if I’d seen the films in my “haven’t seen” list. But then I realized that this list is a personal list that I am sharing with you the reader, and not the end all be all of lists. (I’ll leave that to the “experts.”) So enjoy my top picks for 2009. Pay little attention to the rankings, I can’t say that I solidly believe in the order of this, but I changed it around so many times and this is where it ended up. That last sentence sounds like a cop out. Ugh.

1. THE HURT LOCKER

This film succeeds in being a wonderfully intense character study. Yeah, they are at war but this movie, doesn’t try to get all preachy or bogged down with the politics at hand. I really felt like it could be me or someone I know on that screen.

2. INGLOURIOUS BASTERDS

THE SOUND OF MUSIC or THE GREAT ESCAPE used to be my favorite films about sticking it to Nazis. Though it was a little long, it was a fun movie-going experience and I can’t wait to see it again.

3. SUMMER HOURS

If I were to tell you that this movie is about a family trying to decide the fate of an estate and the art within after the family matriarch dies, it would make you not want to see this movie. This film was a touching story that posed many questions about personal history, the gravity of physical possessions, past, present, and future, and our ties to our family.

4. A SERIOUS MAN

This was probably my most anticipated film of the year. When the trailer hit, I may have watched it 10 times on repeat. It’s a return to form for the Coen brothers, back to the days of BARTON FINK (which is arguably my favorite Coen brothers film).

5. GOODBYE SOLO

One of those movies that will leave you thinking. I watched it alone and have yet to have that conversation with someone that will help to sort out all the implications of the film in my mind. Souleymane Sy Savane’s Solo is warm and charming, and also overbearing and annoying all at the same time. The two characters are in a reverse parallel in points of their lives and it is fascinating to see the two from different backgrounds in different positions form a bond.

6. JULIA

This movie succeeded in making me root for a person that I really disliked. Tilda Swinton gives an amazing performance as a drunk, whose life is spiraling out of control. Her efforts to take control and to help one of the only person to show her real kindness become clouded with her poorly thought out plan to double cross that very person who showed her kindness.

7. PRECIOUS: BASED ON THE NOVEL ‘PUSH’ BY SAPHHIRE

I don’t know if I’ll ever watch this movie again. For me, it was THAT difficult to watch. My sister read the book and tried to warn me, but how could I ignore a film with such a buzz around it? PRECIOUS succeeds in two ways for me. I saw this film at the Austin Film Festival, and though I typically don’t focus too heavily on race, it was amazing to watch a morbidly obese, illiterate, teen mother win the hearts of the mostly white audience. There was something that I couldn’t put my finger on immediately after seeing this film, but then I realized what it was, with the help of Elvis Mitchel on KCRW’s The Treatment. In an interview with Lee Daniels, he compared the melodrama of this movie to one of my all-time favorite films, Douglas Sirk’s IMITATION OF LIFE. I remember watching that movie with grandmother and knowing that the way it would appeal to people on different levels. PRECIOUS is one of those films that I feel I can discuss with members of my family who may not appreciate the foreign, arthouse, or independent films I tend to be drawn to. I think it is important to not that this is the only movie with Tyler Perry’s name associated with it that I am not ashamed to have seen.

8. SITA SINGS THE BLUES

There were a lot of animated films not for adults realized this year. This is my favorite because of its struggle to get released, as well as the stunning animation and use of music to tell the tale of Ramayana. It reminds me of one of my favorite animated films of all time, THE ADVENTURES OF PRINCE ACHMED, that, though made in the 20s, still holds up today. I can tell you how many people I have forced to watch that film, and now I have another one to make my friends sit through, only to have them thank me for introducing them to it later.

9. DISTRICT 9

Summer blockbusters usually don’t do it for me, but I really enjoyed this film. The crazy gadgets and sci-fi action stuff weren’t my cup of tea, but I feel this movie handled the delicate balance between summer action flick and political film very brilliantly. Definitely a gamechanger.

10. BAD LIEUTENANT: PORT OF CALL NEW ORLEANS

I got to see this movie in a press screening and I can honestly say it was one of the funnest experiences I’ve had in a theater all year. Everyone seemed to get the joke, and it seemed like either Werner Herzog was a) fucking with us or b) really trying to make us feel that we, the audience, were on drugs. Batshit brilliance.

Films I need to see: A SINGLE MAN, THE WHITE RIBBON, THE MAID, CRAZY HEART, KNOWING, DEPARTURES, EVERLASTING MOMENTS, YOU, THE LIVING, 35 SHOTS OF RHUM, AVATAR, I’M GONNA EXPLODE, THE LIMITS OF CONTROL, BEESWAX, CARGO 200, THE COVE, IN THE LOOP, BIG FAN, KNOWING, SILENT LIGHT, TETRO, ANVIL! THE STORY OF ANVIL, BROKEN EMBRACES

Honorable mentions: MOON, MEDICINE FOR MELANCHOLY, VALENTINO: THE LAST EMPEROR, MYSTERY TEAM, WORLD’S GREATEST DAD, UP, FANTASTIC MR. FOX, AN EDUCATION

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Kacey Close - Web Dude

In choosing my top 10 movies of 2009, I must preface my list with a couple of conditions. First, as much as I’d love to, I don’t have as much free time as I’d like, so I’ve missed several of the big list items. I haven’t yet seen WHERE THE WILD THINGS ARE or UP IN THE AIR; I’m still waiting for my chance to see AVATAR and SHERLOCK HOLMES. But I the mean time, I see what I can when I can. I’d also like to say that I have a tendency to enjoy movies that most critics pan. I’m not the audience’s lowest common denominator, but I watch movies to be entertained, so my list will probably reflect a bit a different tilt because of this. Excuses aside, here’s the list:

1. DISTRICT 9

I’m not sure that I can say anything here that any of the other writers here haven’t already said, but I’ll see what I can do. The amazement of the story and effects is nearly outshined by the realization that Sharlto Copley is effectively a freshman in the acting profession and the movie was developed by a completely unheard-of newcomer. As I’ve said before, several movies on my list are here because of how simply amazed I was sitting in the darkened theater. DISTRICT 9 was no exception, from beginning to end, I was just slammed by stunning effects and a remarkable plot. I’m looking forward to watching it again with its DVD release and am anticipating the future careers of the creative powers behind this surprising success.

2. TAKEN

Again, expectations were exceeded and I was thoroughly surprised by the intensity of TAKEN. I had heard a lot about the movie before I finally had the opportunity to see it, and yet I was still reeling through my experience. Liam Neeson proved that even at 57, action movies are not inaccessible to him. He was surprisingly brutal and his intensity drove the story through to its inescapable end.

3. INGLOURIOUS BASTERDS

I, for one, was not expecting KILL BILL: WWII, and I was very happy not to get it. I also wasn’t expecting such a spaghetti western either, but that surprise could not have pleased me more. The combination of WWII and classic spaghetti western style was more than just successful, it was monumental. While shy of action, the tension was constantly present with Tarrantino’s incredible dialogue. And while the movie was sold by Brad Pitt’s face, the movie itself was supported almost exclusively by the power and charisma of Christoph Waltz.

4. WATCHMEN

This was the movie I was waiting for longer than any other on my list. Since the first hints that there was even going to be a movie based on this iconic comic book series (and further, best-selling graphic novel), I was waiting for the moment that I could sit down and experience it all. Unlike many, I approved of the artistic changes to the story, acknowledging that they not only brought it up to date, but also streamlining the plot for the condensed medium. Of all the translations from page to screen in WATCHMEN, nothing was more ripped from my own imagination than Jackie Earle Haley’s portrayal of Rorschach.

5. ZOMBIELAND

Several of the movies here made my list because of their ability to completely exceed my expectations. I expected to be entertained by ZOMBIELAND, but not to the degree that it grappled me and dragged me in. With the magical success of SHAUN OF THE DEAD, ZOMBIELAND redefined the genre while staying true to everything that had preceded it. Zombies of all breed and speed, memorable cameos, and an unforgettable set of rules made this movie a true gem.

6. UP

I unintentionally waited until Christmas weekend to watch UP and after having heard everyone else gush about it, I was no less moved by it. UP was fantastical and childlike in its adventurous roots. Of all of Pixar’s features, it was the most memorable and magical. The wonder that our main character feels in the opening scenes is crushed and rediscovered in an optimistic and hopeful escapade.

7. (500) DAYS OF SUMMER

Heart-warming and heart-breaking often go hand in hand and (500) DAYS OF SUMMER is no exception. Stories of the heart are best when they offer high risk and high reward, romantically speaking. Joseph Gordon-Levitt made me feel his joy and pain as he fell in and out of love in this idyllic date movie. And of course, on top of all the plucking of heart strings, there’s the astounding and incongruous dance sequence at the height of our hero’s romance.

8. I LOVE YOU, MAN

As a representative of one half of a budding bromance, this movie just hit me right in my soft spot for the special relationship of man love. Additionally, with his sarcastic wit, I’ve become a big fan of Paul Rudd recently; and Jason Segal has always been a pleaser since his “Freaks and Geeks” days; add in a bit of the Incredible Hulk and I’m a happy camper.

9. THE HANGOVER

I’m a sucker for a good comedy, and when that’s not available, for a raucous one. THE HANGOVER, which I now describe as “Dude, Where’s My Doug?” was nothing awe-inspiring, but it had me rolling the whole time. It didn’t exactly break the mold of your typical Vegas bachelor party adventure, but it was definitely a memorable romp.

10. GAMER

I’ve been a video gamer for as long as I can remember, and have played MMO’s for a number of years so a lot of the concepts put forth by the movie. At the same time, however, the plot was a convenient excuse for a lot of back-to-back action, which was what put me in the theater in the first place. A few smart ideas and some intense action made this a movie that entertained me on the surface, but made me think about our digital future on the drive home.

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Adam Reed - News Writer

1. ZOMBIELAND

I am a sucker for zombie films, but this movie exceeded my expectations on every level. It was fun, inventive, and the cast was spot on. I could not have asked for anything more in a zombie film, except for a cameo featuring Bill Murray. Never mind, it had that too.

2. STAR TREK

I am not a Trekkie, and in fact, I had never before seen a STAR TREK film until J.J. Abram’s masterpiece came along. Not only was the movie action-packed, with a side helping of humor, but it also boasted a brilliant story line that is still spinning my head.

3. WHERE THE WILD THINGS ARE

I had high expectations for this film, considering it was based upon my favorite children’s book. The film achieved what I thought was impossible, a gripping and emotional story that is right on par with the original source itself. This film had me wishing the Wild Rumpus would never cease.

4. WATCHMEN

"Who will watch the Watchmen?" I did, and I absolutely loved it. It was dark, stunning, and right on mark. The comedian might have plummeted to the dirty streets below, but the film soars.

5. INGLOURIOUS BASTERDS

Who knew Jews could have such a bloody good time? Tarantino did, and I am very grateful for him sharing his unique vision with us all, once again.

6. SHERLOCK HOLMES

This film was one of my favorite presents to receive this wonderful Christmas. This adaptation of the brilliant detective novels has breathed new life into the franchise. The only things that hits harder than the film’s protagonists, was the film’s biting dialogue and intelligent story line.

7. DISTRICT 9

This in-your-face sci-fi film was completely unexpected. It pleases the eye along with the brain, seamlessly mixing awesome graphics with rich political commentary. This film shows us what a sci-fi film can dachieve when it does everything right.

8. AWAY WE GO

This film might not be on many top 10 lists, but I would be lying to myself if I denied it a spot on mine. This movie is beautiful in every way, and it proved what I have believed all along: John Krasinski makes a perfect lead in film format, as well as in television.

9. FUNNY PEOPLE

I went into this film expecting it to tickle my funny bone, but I did not expect it to tug at my heart strings with such force as well. This moving film showed us all that Apatow has more to offer than awkward teens and penis gags.

10. (500) DAYS OF SUMMER

Love. That word scares many male viewers away from theaters (unless they think it’ll earn them something with their lady-friend), but in this film’s case, love is not what, or where, you might expect it to be. The film is seeping with delightful acting and a charming narrative, but what really won me over was how close to mine and my wife’s love story it is. Love can come unexpectedly, and in this case, so can one of the year’s best films.

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Don Lewis - Film Critic/News Writer

1. OBSERVE AND REPORT

I walked into OBSERVE AND REPORT expecting, like many people did, a raunchy version of PAUL BLART: MALL COP. While others were pissed that OBSERVE AND REPORT was not a dirtier BLART, I was totally blown away by just how dark, funny, sad, and weird the film was and it’s stuck with me all year. In a cinematic world homogenized for the masses, where every character has to be likable and go through a positive change, OBSERVE AND REPORT is a throwback to seventies cinema where not everyone is likable and sometimes they just don’t change.

2. ANTICHRIST

I’m a big fan of Lars von Trier, and I’ve always loved the way he kind of bullies us into facing fears about what we believe. I also think the guy is screwing with his audience so much that he doesn’t even believe what he’s saying or telling us more than half the time. But with ANTICHRIST, not only is he making audiences squirm the old-fashioned way, I think he’s actually reaching out to audiences and trying to connect with them. People get so wrapped up in the gory and crazy aspects of this film, but I think it’s the most beautifully shot and best acted film of the year.

3. WORLD’S GREATEST DAD

Again, I went into WORLD’S GREATEST DAD not knowing what to expect. We’re all fairly sick of Robin Williams being “zany” and I feared he would be at full ham strength in this film. I was literally slack jawed by the end of this film and was almost in tears by how honest and moving the film was and, I loved the dark and twisted package it came in.

4. THE HURT LOCKER

THE HURT LOCKER is bad ass. At first I was a little irritated by what I thought was a lack of character definition in Jeremy Renner’s Sgt. James. However, upon multiple viewings, I found there were much subtler character traits that I must have missed while clinging to the edge of my seat the first time through. For as ballsy as the action scenes are, there’s also a very nice little human story involved here and THE HURT LOCKER really is a complete package of a film.

5. CRAZY HEART

I’m a sucker for those tales of rebel country stars who like to drink, smoke and screw so I was into CRAZY HEART from the word go. And it delivers on all those things but also tells a sweet story about a man who never had to grow up and his life is finally catching up to him. Being an artist can be tough on your soul and Jeff Bridges as “Bad Blake” wears his heart on his sleeve. It’s an awesome performance in a really great film.

6. FANTASTIC MR. FOX

The biggest question I had after seeing Wes Anderson’s FANTASTIC MR. FOX remains: is this his best film? And I consider myself one of the biggest Wes Anderson fans around so even wondering if FANTASTIC MR. FOX comes close to RUSHMORE is a daunting question and I don’t really have an answer. Not only is the animation spectacular, but the acting is the best I’ve ever seen in an animated film. Plus Anderson gets to use his borderline OCD obsession with set design to it’s full effect and the result is a fun and funny film with some nice observations about human nature.

7. THE MESSENGER

THE MESSENGER is another one of this years films that reminded me of a 70’s drama and I loved it. Obviously the film is very current in it’s subject matter but the age old question of what war does to a man lingers on. While I still have some quibbles with some parts of the story, I still love the Woody Harrelson/Ben Foster one-two punch and I think about THE MESSENGER all the time.

8. BAD LIEUTENANT: PORT OF CALL NEW ORLEANS

BAD LIEUTENANT: PORT OF CALL NEW ORLEANS is a batshit crazy film. Nic Cage is batshit crazy in it, too, and I think this film might be the most fun I’ve had at a movie all year. Fans of the old on-the-edge Cage will be thrilled by this “re-imagining” of Abel Ferrara’s classic bad cop drama and Werner Herzog cashes his paycheck big time by going totally over the top with this film.

9. MOON

MOON is just about the perfect little slice of sci-fi and I don’t really consider myself a big fan of that genre. Even so, MOON is pretty irresistible and clever and Sam Rockwell is genius in it. I’d love to watch it repeatedly on DVD but alas, it’s still not available in the U.S. Hint…hint…

10. UP

Pixar does it again.

From the GATW Archives: Interview: Pete McCormack (director, FACING ALI)

I have to hand it to director Pete McCormack - he’s made one of the most original and touching documentaries about Muhammad Ali. FACING ALI features untold stories from opponents who faced Ali in some of his most famous boxing matches. I spoke with Pete during the holidays about the process of the film. Unfortunately, technology was against me that day, as the last 10 minutes of the interview got completely skewed, but I did manage to salvage a few of the questions. Take a few minutes to read this interview - Pete’s an interesting person and you can tell in his answers to my questions that he’s purely in this for the love of the job.

GATW: My first question, which is probably the one you’ve gotten the most, is how did you get all these fighters wrangled up and involved with this documentary?

Pete McCormack: The first thing to do was to pick the fighters. For some reason it was really clear to me what ten boxers we needed. I just knew the ones that made the difference in [Muhammad] Ali’s life, not just that Ali affected but that affected Ali as well, either for political reasons or because of transitional fights in his career or because he lost to them or because like with [boxer George] Foreman he was mythologized for beating him and then of course the downfall towards the end. So I knew the first eight or nine [boxers] and I knew exactly who I wanted, [but] around ten it was questionable. But the ten I wanted I was really clear about and then we went for it and Derik [Murray, Producer] got all ten, and I have to take my hat off to that guy because we really fought hard for it and once in a while he would come up to me and say something like “Do we really need that guy?” and I’d say “Yeah, we really need that guy.” So it was really great. But I tell you, we were already editing the film and we still didn’t have interviews with Foreman and [boxer Joe] Frazier yet. So that was interesting, we knew that we had to get them and we were still trying to, as you used the term, “wrangle” them in. But I think, it always takes a lot of diligence whenever I made films, whether I got the people myself or whether someone else was getting them for interviews it takes a lot of repeated planning and work. So you can multiply that by saying we’re doing that with a bunch of boxers, you know?

GATW: One thing I noticed, you shot a good amount [of the film] on handheld [camera] style, what made you want to add that your film? I’m curious as to why you chose to do that.

PM: Well when you say handheld, we only shot with handheld [cameras] when we got [the boxers] on their feet. So in the interview themselves, generally speaking, it was filmed with a jib arm and it followed the guy doing his thing and that was to give a certain dynamic nature to the interview. But getting them on their feet was really important. I really wanted to do that. Two things mattered: I wanted to make sure we shifted the film a lot so it wasn’t a bunch of talking heads, you know what I mean? Secondly, I really thought that boxers on their feet feel more natural and when I asked them about the punching and so on, their muscle memory would all come back [laughs] right away and believe me when a boxer’s muscle memory comes back they can punch still. So I really wanted to get that extra style, just to show the color and the movement of the film because it gave it a lot of push, and it’s really where they feel comfortable. I really wanted these older guys, no longer champions of the world, between the ages of early 60s [to] mid 70s, to still see what they’ve got and I actually told them “Listen, when you punch you can’t punch half-speed here. If you punch half-speed it’s going to look really lame on camera.” [laughs] But that’s a good thing to say to a boxer, it’s good to get to a boxer’s ego right away. So they gave it all they had. And you know, George Frazier had a back injury, and Ken Norton had a car accident and George Chuvalo had a sore shoulder, but it brought them to life to get them on their feet. And I was very specific, I didn’t get them on their feet to say “Hey let’s practice, shadowboxing” I got them on their feet to say, “When Ali was doing this, what did you do?” or “How did you do this when he did this?” and I’d give them scenarios. So it made them feel unselfconscious, I think, up there. But that was a really fun thing to do by the way, except the cameraman had to hold the camera for hours. I punished the poor guy [laughs].

GATW: When you’re interviewing [George] Chuvalo he tells the story about his sons and his wife passing on, and he says that he rarely speaks about that. How did you get him to open up and gain your trust?

PM: That’s a great question. The way my technique was, one, to be very honoring on one level, just being happy to be there and giving them lots of affection. And the second thing was to let them know that I really, really knew their story and the boxing situation inside out so they felt very respected. I remember one time, Joe Frazier said to me “Hey do you know what happened just before I hit Ali with that left hook?” and he was testing me, right? And I was like “I don’t know what he’s trying to ask me here, but I think he’s just saying what was going on in the fight” so I said “Yeah, you hit him with a left hook to the body.” And he goes “Yeah. That’s right” [laughs]. So at that moment Joe was in, you know what I mean? And so with the boxers I think that I brought as much information as I could and stayed as firm and solid as I could and I pushed them in certain areas that they weren’t used to hearing about things. With George [Chuvalo] and that situation, you know, I’ve written a lot about the War on Drugs, my father works in a methadone clinic and my brother is a Doctor of Pharmacy, so I told him that it’s such a powerful anti-drug statement that [he] tells and that it won’t be sensationalized in any way, it will be used in the courage that you [Chuvalo] had to tell it. It actually took about five or six minutes of just sitting there before he talked about it. I actually said to him “George, you know, we don’t have to do this, we don’t have to talk about this if you don’t want to.” And he said no and then he did it. So it was really a moving moment and I just love the guy and I love the honesty he gave us. I can’t say enough about George Chuvalo and you can put that in there. He was a massive part of making the film.

FACING ALI is now available to rent (Blockbuster, Netflix, Redbox) or buy on DVD (Amazing, Best Buy, FacingAli.com).

From the GATW Archives: Sundance 2010 Review: Bobby Miller's TUB

Rating: 9/10

Writer/Director: Bobby Miller
Cast: Eric M. Levy, Megan Raye Manzi

TUB is a short film written and directed by Bobby Miller. Bobby is best known for his online show, The Reel Good Show, which is batshit hilarious (watch the BEST WORST MOVIE episode - it’s top notch). But Bobby is best known to me as one of the most courageous indie filmmakers I’ve ever met. Here’s the synopsis for TUB: a guy (Eric M. Levy) masturbates in his bathtub one night after his girlfriend (Megan Raye Manzi) won’t give him the goods. He wakes up the next morning to see a baby has spawned from the tub’s drain. Yes, you read that right and, yes, shit gets weird.

When I heard there was a short film playing at Sundance about a guy who impregnates his tub, my first thought was, “This sounds gross - I must see it!” I’m glad I stuck with my gut, the film is very effective. Bobby has a unique vision and it’s only a matter of time before everyone takes notice.

If you’re currently at Sundance, you can grab tickets to one of the Shorts Programs that’s screening Bobby’s film HERE. If you’re a festival director, I urge you to get this short to your festival.

From the GATW Archives: Sundance 2010 Review: ODDSAC

Rating: 8/10

Director/Editor: Danny Perez
Music: Animal Collective

I’m really not sure where to begin this review. I guess I could start by saying that ODDSAC is a very odd name, but it’s fitting when referring to its creators: director Danny Perez and the widely popular indie band, Animal Collective. Perez has directed the music videos for the group’s singles “Who Could Win a Rabbit?” and “Summertime Clothes” and is also the visualist for the Animal Collective live shows, so if you’ve been to one of the group’s shows, then you know your eyes are in for a rare treat.

After walking out of ODDSAC’s world premiere, here are some of the notes I jotted down: “Will make Tim Burton proud,” “Distorted,” “Mind-fuck,” and “Marshmallow.”

I walked into ODDSAC completely sober, but walked out feeling like I dropped two hits of acid— it’s that trippy. Of course, with this being an art collective video, none of it makes sense and viewers should be 100% okay with that. (really, it plays out like a very long and insane Animal Collective music video). What we get in this film is a series of shorts (sort-of), each with a different song by the band. At one point in the film, it cuts to a boy telling the audience he hates everything but green beans - random, humorous, and completely awesome. There was also a moment in the screening when the film got so intense for my brain, I had to pinch myself to make sure I was still alive.

Here’s a segment description for you - it gets a bit rowdy. Campers are cooking marshmallows by the campfire. But of course, it’s not just a steady shot of John Smith, his wife, and their beautiful kids eating marshmallows while chanting campfire songs. It’s close-ups, quickly edited cinematography that punches you in the face, loud music, and yes, marshmallows eating the campers. Stay Puft making a comeback? One can only hope.

My one (and only) complaint about ODDSAC is the excessive use of strobes. It became a bit extreme at times, and I did have to close my eyes and just listen. Maybe this is what they wanted, since the music is just as likable as the film. Smart move for Perez and the Collective.

In the end, this film is what Animal Collective’s music would look like. I hope this is one of many feature-length films they put together.