New Year's Resolution, Reality Bites, and Guns N' Roses

What a wonderful, horrible ride the last two years have been. On New Year’s 2011 and 2012, I promised myself to breathe and not worry so much. Let’s go back 730 days ago — I had what my family doctor called “a serious mental breakdown.” Instead of immediately seeing a therapist and getting on proper medications to calm my nerves like my friends begged me to do (I hid the pain from my family in fear of worrying them), I packed my bags and moved to Austin, Texas, thinking my depression would go away in a brand new environment full of brand new people.

But despite having a great, supportive roommate (Neil Miller of Film School Rejects fame) and meeting some of the best people on this planet, moving there was a huge misstep in my life. Only living there a year and a half, I spent most of it drinking until I blacked out, lying to my doctor so I could get happy pills to temporarily cure the emotional pain I was feeling, arguing and fighting with everyone around me, and sleeping my free time away.

It’s strange because neither my mother or father had a history with alcoholism when I was growing up and I was taught to be well-mannered; my parents raised me to have a bleeding-heart towards people and to work hard. But, life throws a curveball here and there, and people need some form of temporary escape when it starts to suck the proverbial donkey dick. Some people go running, some listen to Death Cab for Cutie, but at this time in my life, dear reader, booze and lots of prescribed medications were what helped me escape. My love for watching movies and writing about them soon started to fade. And even though I was surrounded by some of the aforementioned wonderful people, I never felt so alone in the world.

Reality Bites

I really didn’t know how to handle it, so I just raged with whiskey and the dangerously high dosage of pills my doctor gave me, and my body wasted away. I went from 189 pounds to 148. I had a death wish and didn’t know it. I tried to hide it as much as I could, but with being an online journalist and very active on Twitter and Facebook, a lot of people saw right through me. Some took advantage of my hypersensitivity and really took a go at breaking me, and some came to my aid to help me get the proper help that I needed, despite being unpleasant to them because I wasn’t in the right state of mind. (God bless the ones who were there for me because I know it wasn’t easy. I should have been more tactful about the way I handled the love you were giving me, but I was damaged and forgot how to be a friend.)

At the time, it became clear my then-paralyzed life was incapable of getting better. I was a broken record. As a result, a lot of my good friends gave up on me and moved on — they did all they could do to help me and there was nothing left for them but to pity me, and who wants to do that? So like any level-headed person would, they moved on.

That was it. I had hit rock bottom. I was on a road to nowhere. I stopped caring about everyone, including myself. Because of this unbearable depression, I lost a lot of great friends along this awful journey. Life 180’d and people who used to respect me now despised my existence. Reality bit me and I realized I was losing everything I worked so hard for.

To try and breathe again, I did what I knew best: I ran from my problems. I moved to L.A. in hopes for new beginnings (again). The transition was a motherfucker because, even though L.A. is a small place to get around (compared to Dallas and Austin), the people I knew out here were busy with work and life and I didn’t know how to make new friends (at the time I was working from home). So I spent half of my first year here alone, sitting on my couch, watching movies and drinking bottles of whiskey until 6am. I didn’t want to leave my apartment, just watch movies and drink until I passed out. Then a new door opened up — I got an incredible job offer and took it. It was then that I decided to put down the bottle until I could handle drinking like an adult and fix what I could from my past, and get the proper help that I so desperately needed. Things slowly started improving. With some minor upsets (life is funny sometimes), I slowly started getting back to be the nice man I used to be long ago. If I said I was all better and everything was all good right now, I’d be lying. I still have a bit of a journey ahead of me, but I’ve come a long, long way from where I was two years ago.

I’ve re-learned how to love and appreciate the value of friendship, and those are two feelings I never want to lose sight of again. I’m not proud that I did, but I’m human and eventually wised up and stopped fermenting the lemons life gave me to get drunk and push people away.

All that said, this article isn’t meant for pity or as a cry for help. This is me letting the ones I hurt know that I have finally found peace. This is my coming-of-age story (for someone too old to be coming-of-age) and it’s comforting to say, without a doubt, that I’m finally feeling what I’ve ached for, for over two years now: happiness.

As of January 1, 2013, I’m working hard at my job (that I adore) and am more focused on my writing than I have ever been. I hope to be as kind as possible to people I cross paths with, even to the ones who know how to trigger my roller coaster of emotions with an arsenal of piercing insults. And I want to give comfort to my friends when they’re hurting. Life is too short and I don’t want to die hating people who I’ve hurt or have hurt me. I know uphill battles lie ahead of me and depression will linger if and when it wants, but I can now handle it.

So I take to the Paul McCartney-written song famously covered by Guns N’ Roses for my New Year’s resolution: Live and Let Die.

Happy New Year to everyone. Yes, even you. And you. And you.

Love,

Chase Whale

LOOPER Giveaway Winners!

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Circling back: on December 13th, I posted a LOOPER giveaway, giving readers a chance at winning a Blu-ray copy of the film and a slick pocket watch that Joseph Gordon-Levitt wears in it. To mirror the JGL/Bruce Willis relationship in LOOPER, contestants had to find a young photo of themselves and take a new one, echoing that old photo as much as they could. There were a lot of solid ones, but I had to narrow ‘em down to my six favorites.  LOOPER’s writer and director Rian Johnson chimed in and was kind enough to help me hammer out the order of the winners.

After chatting back and forth, Rian and I decided the final six contestants should all win something. So we’re giving first and second place a Blu-ray and pocket watch, and the four runners-up get a pocket watch. But here’s where it gets way cool for you winners: Rian has written a personal note to you under your photo. (Nice fella, huh?)

I’ve also added the stories behind some of the photos that contestants sent in with their entries. While all of them are crafty, one of them is poignant and will make your heart melt.

Thanks to everyone who entered –– it’s amazing to know there are so many creative folks out there who love to enter giveaways likes this. And a very special thanks to Rian for being King Awesome and wanting to participate with the judging –– you can’t see me as you read this, but I’m giving you a big virtual hug. (It’s not creepy.)

Here are the winners. 

First Place: 

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Story: Not exactly what you had in mind about copying a previous pose, but I wanted to share this picture anyways. This has been a rocky summer for me to say the least. My Father became very sick in July and was admitted to the ICU. Not soon after, my first son was born. My Father finally passed away several weeks after that. Preparing for his funeral, I found this old picture of him holding me as a baby. We didn’t end up using it to display for his wake but I took a picture of it on my iPhone to keep with me. After my Father’s funeral, we were gathered at my cousin’s condo when realized that I was wearing something similar to what my Father was wearing in the picture. My cousin helped me recreate the shot with me holding my son and this is the result. I think it turned out rather well.

Rian: This takes it for me. Such a beautiful shot, and it’s even more beautiful when you know the context behind it.

Second Place:

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Story: This is only 8 years apart, but same place, same clothes. You can definitely feel the sibling love and total patience with the whole ‘photo’ process, can’t you?

RianTo quote Tenacious D, “that’s fuckin teamwork!” Also impressed by how much the younger you looks like the daughter from Homeland. 

Runners-Up:

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Story: I would like to note: same top, same bottoms.

Wow, that’s impressive. Even more impressive: the Twin Peaks owl symbol scrawled on the cave wall behind your younger self. BOOKHOUSE BOYS!

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Story: Here’s my photo: me at 14 and 30 (ie. earlier today).

Goddamn that is some seriously intense style for a 14 year old. At 14 I was wearing Cosby sweaters, you look like the villain from a Die Hard movie. I am impressed. 

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Awesome. That kid batman costume looks hand-sewn to me. Mom geek cred: EARNED!

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That is some amazing attention to detail. The cake is not a lie!


Winners: check your email! You have 48 hours to reply or I will send one of Abe’s Gat Men after you. 

If you’re reading this, make sure you support this important film. It’s available today on Blu-ray/DVD and you can get it here: amzn.to/RNr9Qb.

VIDEO: LOOPER Interactive Live Chat with Writer/Director Rian Johnson

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Here’s the video of the LOOPER interactive live chat with writer/director Rian Johnson that I moderated last night at the Sony lot. This method was very new for me since it was all online and I’m used to doing this in front of a live audience. I’m quite neurotic and kept thinking I would crash and burn with so many of his fans in the chatroom at the same time, ready to fire their questions away, or technology would work against me in some way and there would be an undesirable amount of awkward moments. But, the great people at Spreecast sat close and guided me through their platform. Despite a few brief periods of dropped audio, it worked out nicely.

I had a blast moderating, asking questions and watching the fans eyes light up as they asked their favorite director their questions. When Rian went into great detail for every question asked, I could tell he was having a time as well. He truly adores his fans and you can see that in his enthusiastic answers to their questions, regardless if he’s answered them over and over before. And It’s easy to say he appreciates his fans because it was his birthday and he wanted to keep the live chat going after we were at it for a good hour and twenty minutes––he spent his a good amount of leisure time (on his birthday) chatting with his fans. That’s one classy filmmaker. 

The Best International Films of 2012

2012 was a great year for movies. We’ve been treated with some of the best comic book adaptations, blockbuster popcorn flicks, and the return of some big, bad Hollywood directors, along with some of the most prolific independent films made in years.

One other collection that has made this a great year for cinema is the large number of unmistakably wondrous foreign films that have moved and shaken their way over to U.S. audiences. There’s an even larger number than what’s on the list below, but here you’ll find the ones that I’ve seen and loved (I know this will blow your mind, but I haven’t seen everything). 

Without further ado, and in no particular order, here are the Best International Films of 2012.

(Note: Some of these played the festival circuit last year and one was nominated for a 2012 Academy Award, but all of these released theatrically in the U.S. this year.)

THE LOVES ONES (Australia) - TRAILER

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HOLY MOTORS (France and Germany) - REVIEW - TRAILER

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AMOUR (Austria and France) - TRAILER
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ATTENBERG (Greece) - TRAILER
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OSLO, AUGUST 31ST (Norway) - TRAILER
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THE RAID: REDEMPTION (Indonesia) - REVIEW - TRAILER
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BEYOND THE BLACK RAINBOW (Canada) - TRAILER
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BULLHEAD (Belgium) - TRAILER
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THE KID WITH A BIKE ( Belgium, France and Italy) - TRAILER
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THE DEEP BLUE SEA (Britain) - TRAILER
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HEADHUNTERS (Norway) - TRAILER
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SLEEPLESS NIGHT (France) - TRAILER
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KLOWN (Denmark) - REVIEW - TRAILER
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BREATHING (Austria) - TRAILER
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SISTER (Switzerland) - TRAILER
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CAFÉ DE FLORE ( Canada and France) - TRAILER
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ONCE UPON A TIME IN ANATOLIA (Turkey, Bosnia and Herzegovina) - TRAILER
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Live Chat with 'Looper' Director Rian Johnson

Looper writer/director Rian Johnson and film critic Chase Whale, of TwitchFilm.com, will be live on Spreecast.com, Monday December 17th at 8PM ET/5PM PT.

Join Johnson and Whale as they discuss the making of “Looper,” a dark mystery featuring Joseph Gordon-Levitt, and answer your fan questions!

RSVP now for this special event!”

Win a Pocket Watch and Blu-ray of Rian Johnson's LOOPER

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UPDATE: Writer/Director Rian Johnson is going to help me hand pick the two winners for the giveaway. Only a few days left to enter!

Time travel has not yet been invented, but Blu-rays of LOOPER have. So has that really slick pocket watch Joseph Gordon-Levitt wears in the film. Since this is one of my favorite films of the year and Christmas is coming up, I’ve teamed up with Sony Pictures Home Entertainment to give two people a LOOPER pocket watch and Blu-ray copy of the film. Fucking awesome, right? 

Since these items are way too cool for an easy giveaway, I want you to get creative. Here’s how this is going to work: find a photo of yourself when you were younger—go back at least 10 years. Then, take a photo of your grownup self now, copying the pose, clothes and background of that young photo. It’s OK to Photoshop them side-by-side, but don’t cut and paste yourself into an old photo. If you do that, a younger version of yourself will assassinate you in 30 years—not a fun way to loop yourself out of the giveaway. 

When you’re done, email me the photos or comment with them below. If you choose email, send ‘em here with “Looper Giveaway” in the subject line: chasewhale@gmail.com. I will announce the two winners on December 31st. Good luck!

Last thing, this is for U.S. residents only (sorry, it’s the rules!)

(If you don’t win, no need worry—it’s available on December 31st and you can get it here: amzn.to/RNr9Qb.)

Top 10 (Now 11) Films of 2012

It’s that time of year again where all your favorite movie websites, cinephile friends, and film journalists start posting their flashy year-end lists. After narrowing it down from 13 titles, below are my 10 Favorite Films of 2012. I know it’s early and there are a few big films that haven’t been released yet. And I’m certain at least one is going to be unchained and awesome, but these are the films I’ve seen over and over this year (as much as possible, anyway.) There are some big, bad studio movies on here, but the independent ones dominate it. They are the reason why my heart beats. I want to shout about these films on top of a mountain, then get ice cream and watch all of them back-to-back.

Collectively, these films have a cabin with tricks up its sleeves, game-changing fight scenes, young alcoholics, time traveling assassins, a mother’s undying love for her son with Down syndrome, Avenging superheros, The Bathtub, sleepwalking comedians, Denis Lavant at his best, and a rich 35-year-old bum. All of these rolled with the punches and moved me in one way or another. This is perhaps my favorite Favorite list that I’ve ever compiled. Enjoy.

(Note: these are in no particular order.)

(Note #2: Adding OSLO, AUGUST 31ST to this list. I put it on my Top 10 last year (Best Undistributed FIlm) but just remembered it finally got picked up this year. OSLO deserves the recognition more than most films currently getting attention. Watch the trailer HERE.)

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THE RAID - REVIEW - TRAILER

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THE CABIN IN THE WOODS - (Skip the trailer and see it without a hint.)
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LOOPER - TRAILER - INTERVIEW
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SMASHED - REVIEW - TRAILER
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CAFÉ DE FLORE - TRAILER
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BEASTS OF THE SOUTHERN WILD - TRAILER - INTERVIEW
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SLEEPWALK WITH ME - REVIEW - TRAILER - INTERVIEW
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THE AVENGERS
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HOLY MOTORS - REVIEW - TRAILER
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THE COMEDY - REVIEW
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Favorite Festival Movie Unreleased in 2012

THE LAST ELVIS - TRAILER (Spanish, no subtitles)
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Review: DEADFALL Flaunts Eric Bana's Badassery, But Not Much Else

Deadfall really hits the ground running. Addison (Eric Bana) and his sister Liza (Olivia Wilde) are celebrating her first casino heist. En route to the Canadian border, freedom is temporarily put on hold when their vehicle hits a deer, sending it high into the air, where it learns all about the laws of gravity and slow motion in a display that would make Zack Snyder very proud. 

The two survive, but a state trooper happens to drive by and calls in the wreckage before Addison shoots him dead. Now these two are stuck in a big snowstorm with only one option: run. Because she’s pure at heart, Addison doesn’t want the chance of them getting caught together and decides the two should split up and meet at the border. (They do have cellphones, so she can call in to let him know she’s alive.) But as nature has it, a plan is just a list of things that never happen. This is Deadfall, which doesn’t offer much, but does showboat how unfading Bana’s acting talents are with his fists and wit. 

Eric Bana really rolls with the punches in Deadfall. He fully embodies this merciless, maniac killer. He fights like an animal and has the survival instincts of a hunter. Addison kills first, then asks questions. Come to think of it, he doesn’t even ask questions, he just kills. His mind is focused on getting over the border with his sister and their large chunk of cash, no matter what. His love for her is undying, which gives him a few moments of heart, but we’re quickly reminded that, more than anything else, he’s a killer. Watching Bana out in the snow and adapting to survive are the scenes that bring this film to life.  

While Bana is out playing MacGyver to survive, Liza cozies up to Jay (Son of Anarchy's Charlie Hunnam), an ex-con and disgraced former boxer with a killer left hook. Jay finds Liza stranded on the road and picks her up. They head to the closest bar and learn the cops have closed down all roads. Since they are both on the run from Johnny Law, they spend the night there. Oh yeah, Jay was just released from prison and accidentally already committed a crime before meeting Liza, so things are shaky for him too. To occupy time, they pretend to be newlyweds, drink alcohol, and talk about Jay's previous life as a boxer. You're a clever one, dear reader, so you already see where this scenario heads.

This love story is what bogs down the movie. One half of the film follows a guy fighting his way through the snow, police, and local natives, and the other half is consumed by chatter about redemption and a possible one night stand. Jay and Liza’s shared scenes are necessary to make the film come full circle, but it’s just, well, boring.
On Bana’s trail is Sergeant Becker (Treat Williams), who has assembled a team to track this man down. One of the team members is his daughter Hannah (Kate Mara), who he mocks because she’s a girl and everybody knows a woman shouldn’t be in law enforcement. In short, he’s kind of a dick, and so is his team (but not her, she’s sweet). Little do they know (or care, really), she’s smart as a whip and has plans to do bigger and better things.

Also co-starring is Sissy Spacek and Kris Kristofferson. Blink and you’ll miss them. Deadfall isn’t by any means dreadful, but all it offers is a solid look at how great Eric Bana is as an actor. Watch this for his killer performance alone.

Deadfall is now available to watch on various Video On Demand platforms in the U.S., including iTunes, and will open in limited theatrical release on December 7, 2012.

Review: PRICE CHECK With Parker Posey Is A Snoozy of a Movie

You can usually count on Parker Posey. Her untiring comedy and witty improv helped her gain notoriety in the 90s, starring (at a young age) alongside older generation comedic vets in Christopher Guest films. This Party Girl was hailed as the original queen of independent cinema. She’s one of the rarities in Hollywood who could have easily shot to superstardom with her credentials, but chose instead to take chances on independent films. That said, it’s a real shame to watch her talents dry up in the easily forgettable Price Check.

Eric Mabius (the guy you only remember from Resident Evil) stars as Peter Cozy, an underpaid, overworked pushover employee at a down-on-its-luck grocery store chain. His old boss recently quit, and Peter was passed up on the promotion because the higher ups decided to bring in fresh blood, presumably with a lot more talent. This fresh blood is Susan Felders (the lovely Posey), an energetic woman on a constant high to shape up the company. Now’s the time to let you in on a secret: Susan doesn’t want to do much work - she’s aloof and lazy. To satisfy her unwillingness to work, she gives Cozy the raise he wants and enlists him to help her do all the things she was brought in by the company to do, which brings the ruckus to his quiet and harmonious life. 

While Parker can still throw those awesome sassy punchlines (and she sure does here), the film relies heavily on her wacky comedy, which ultimately doesn’t give the story and other characters much room to please. Mabius’ characterless Peter is just as fun to watch as the opening credits in Stanley Kubrick’s 2001: A Space Odyssey. Mabius adds nothing to the role other than a good looking face and a $300 haircut.

The film does, however, carry a best kept secret. That is Amy Schumer, who is raunch comedy’s wet dream. In Price Check, before a too-early-to-be-awake meeting, Schumer’s Lila says, “I feel like shit. Being human sucks. I hope someone brought donuts.” She delivers this in the most calm-yet-unhinged way and it’s ridiculously funny. Like Posey, Schumer gets campy humor and dumbs it down to her advantage. And while she hasn’t done many films, she has written and starred in numerous skits and sketches on Comedy Central. She’s a rarity and it’s only a matter of time before Hollywood gets ahold of her.  

Price Check marks the first feature that director Michael Walker has made since his 2008 horror movie, Chasing Sleep, with Jeff Daniels. The long absence may be why this film falls flat, despite having an illustrious comedian in it. While Walker should take some credit for the jokes in the film, the price of the story isn’t much and the film checks out before it even really gets started.

Gordon and the Whale: One Year Later

Time flies when you’re havin’ a time. It’s been a little more than a year since GATW shut down. A wild, weird, and wonderful year. Someone up there likes us, because everyone seems to have moved on to bigger (and perhaps better) things. 

I reached out to the editors of GATW and asked them to update the good folks of the Internet on what they are up to these days (great news: nobody is dead). Below are sites and other wondrous places where you can find each of the GATW editors’ new and exciting adventures. And even though we’ve all moved on, we’ll always share this: we love movies deeply, passionately, unabashedly.

From GATW’s Managing Editor, Kate Erbland:

Since the departure of the Good Ship Gordon and the Whale one year ago, former Managing Editor Kate Erbland is now slinging words about cinema for Film School Rejects (as Associate Editor) and MSN Movies’ The Hitlist (as Contributing Writer). She has continued to cover a number of festivals, including Sundance, SXSW, LAFF, and AFI FEST and has penned additional reviews for Boxoffice Magazine. She’s still never walked out on a movie and doesn’t plan on starting anytime soon.

Kate is now a member of the Online Film Critics Society, Rotten Tomatoes, and Indiewire’s Criticwire.

From GATW’s Soundtrack Editor, Allison Loring:

Since the little ship that could, GATW, disbanded last year I have taken my music and film loving heart over to Film School Rejects and have been penning the column “Aural Fixation” which focuses on the use of music in film and has allowed me to interview some of my heroes – Clint Mansell, Cliff Martinez (twice!), and Nathan Johnson. Since becoming an official “reject,” I have also been able to continue covering some of my favorite film festivals from the Los Angeles Film Festival to AFI FEST to Sundance. And when I find myself with something to say on the television or female viewpoint side of things, I have found outlets through both Reel Vixen and Cineboobs. GATW was my first writing home and much like when you graduate from college, I have always felt like it gave me the skills, confidence, and relationships to help me take my love of music and film beyond conversations with friends to an ever growing forum out there on the interwebs.

Allison is now a member of Indiewire’s Criticwire.

From GATW’s News Editor, Joshua Brunsting

What a wild, and truly crazy, 365 days. The past year has been a big one for your faithful former News Editor, in that not only have things at my home The CriterionCast become even bigger than one could have imagined, but I’m now happily married! The old ball and chain and I tied the knot in early October, and it’s been great. As far as writing, this guy is still working hard at making Criterion Cast the home for fans of arthouse, foreign and classic cinema, reviewing the best current theatrical releases, new home video releases, while also digging through various outlets to review the best that cinema history has to offer. Also a member of the Online Film Critics Society, things are looking up. Only wish my GATW family could be part of it all. I miss them all, and I miss the readers. You guys made the long run I had on the site, and the long run the site itself made, some of the happiest times for me, and the entire crew. 

From GATW’s Senior Editor, James Wallace:

After reemerging from a month-long drunken stupor of sadness, binging on nothing but Jack Daniels, choco tacos and Golden Girls reruns, due to the unfortunate closing of Gordon and the Whale, I had to have my “phoenix from the ashes” moment. I knew I had to find new places to do all the things I loved doing at GATW - reviews, interviews, editorials, hosting live film-centric events. And however hard that was to imagine doing elsewhere without my GATW film family, I knew I had to move on if I wanted my passion to thrive and survive. And so I went out into the world, more experienced, more bearded, and hopefully a little bit wiser about the craft, to find new outlets. I ended up kind of bouncing around at a few sites like First Showing and Twitch Film - both of which I am honored to write the occasional thing for or do the occasional interview for, considering these are the very outlets we looked up to when we we’re growing Gordon and the Whale. I also found homes for my writing/interviews with a few local outlets, including the legendary Dallas Observer alt weekly and most recently Central Track, where as their newly minted staff film critic I am heading up a recently rolled out film section of the locally-focused lifestyle site (if there’s an outlet with a tight knit, encouraging group of writers open to new ideas and alternative content that fills that void left by GATW, CT is it). 

But with homes for my writing and interviews, that left one role as former Managing Editor homeless…and that was hosting live events, something I grew to love and took quite a bit of ownership in my days at GATW. And thus, I started IHeartCinema.net - a site that exists to connect movie lovers with cinematastic events (and other movie lovers) in their given cities. Just over a year old and now hosting advance screenings, Q&As, film festivals, and basically any live event related to film in over 15 cities and growing, it’s nice to have a site to call my own. 

However, no matter what I do and no matter who I go on to do things for, I will never forget that Gordon and the Whale is what started it all. And more importantly, I’ll never forget the memories we created, the amazing group of writers we got to create them with, all while hopefully having a few of you readers join us on our crazy journey atop a whale in this cinematic sea. Chase & Rusty taking a chance on a kid with stars in his eyes right out of college was truly life changing for me and I don’t know if I’d be in the same place I am now without Gordon and the Whale. And so I am eternally grateful.

I always said this about the site: if ever there was a real life version of The Goonies, for me, it was Gordon and the Whale. And Goonies never say die.

From GATW’s Co-Founder and Editor-in-Chief, Chase Whale:

Once Team GATW decided to swim in new, different directions, I briefly worked as a programmer for the Alamo Drafthouse Cinema and Fantastic Fest in Austin, TX. I now live in Los Angeles in an over-priced, small apartment where people defecate on the sidewalk within eyeshot (don’t believe the flimflam—L.A. is awesome!). You can currently find my written mumbo jumbo on Twitch Film, Next Movie, Film.com, Film Threatand We Got This Covered. Recently, I interviewed my childhood hero, Jean-Claude Van Damme, where he showed me his signature roundhouse kick. Bam. Kick. Pow. 

I also have a job managing social network portfolios for high-profile people. This job can only be described as “awesome.” I’m a *big, bad Hollywood guy now but still miss my Mama, friends, and family back in Texas. 

My film reviews can also be found on Rotten Tomatoes and Indiewire’s Criticwire

*shameless emotional exhibitionist